Japanese Farmhouse
The sunset reflecting from Oaks and Hickorys
Floor plans based on a square design module, similar to the Japanese Ken system
Ya-ne, literally meaning “house/interior” and “root/source” The roof is seen as the very root of the house
Rough timbers express primitiveness in the roof’s structural system, contrasting with the more refined joinery
Shoji, translucent sliding doors, are covered with mulberry paper which becomes whiter when exposed to sunlight
Threshold sections and entrance vestibule layout
The raised wood-floored living space, with a lowered entrance level, evolved from the earthen floors of agricultural villages
Wooden members of the shoji are notched into each other from alternate sides, weaving thin strips into lightweight rigid panels
Two halves of a large poplar tree are joined, forming the main beam supporting the second floor
The open plan kitchen and dining area
A naturally arched timber creates a recess for the vent hood. Daylight spectrum fluorescent light is softened by Kozo paper grids
Balloon framed walls use continuous studs extending to the roof. The second-floor members rest on a band board notched into the studs
Walnut with a natural edge and traditional joinery accent the peninsula end panel
Interior wall elevations keyed to the floor plan grid system
The bath reflects the Shinto notions of natural purity, simplicity, and aesthetics, also associated with physical cleanliness
An enlarged plan of the bath
Submerged to the chin in clean hot water while watching the day settle into dusk, one begins to drift, cleansing the mind as well as the body
Enlarged bath elevations
Simple natural materials
Green Soapstone and recycled Honduran Mahogany vanity
The original scheme called for bending plywood with hardwood veneer for the radius front
As I began making the vanities, a dear friend gifted me the mahogany lumber he’d been saving for a special project : )